Well, here's 'asian girlz,' the most racist song in recent memory | huffpost
THEN, the model in question picks up the bird cage and takes it and the band to the bathroom where she -- of course -- draws a bubble bath and lets the miniature her out for a dive into the water. Each of these distressing vignettes arises at various points from aian stimuli, whether that be in moments of quiet relaxation and reflection when Joe is sitting at home or in a sauna, or in an unexpected episode where Joe encounters a group of young Asian girls who would like their picture taken.
Instead this can be seen as Joe using the same blunt de that his father used against him and his mother many years beforehand to save the children and, more specifically, the young girls that he could not save during his stint in the FBI. This is not solely an allusion to other post-millennium thrillers such as DriveDir: Nicolas Winding Refn or OldboyDir: Park Chan-Wook where the brooding anti-hero wields a claw hammer as an instrument of bloody revenge.
Joe is shown at multiple points to be a spectral presence, often leaving the frame when vehicles or people pass in front of him. Joe is always too late, or he was too weak to act in the moment.
She then rubs one of them on her breasts while another one swims between her legs, causing her to moan, because who doesn't love the tender caress of a shrunken-down, racist non-rocker? Thus the film ends the film on a jarringly upbeat note - one where Girrls and Nina have agreed on something positive despite the similar horrors they have encountered along the way.
I know I lost respect from a lot of ppl. Envisaging his endgame as the simple act of saving Nina from Williams, Joe follows Williams to his mansion, wipes out his security, and finds a naked Williams with his throat cut.
It wasn't my intention. Not only is there plenty of racist stuff to get one's blood boiling, there's also this actual lyric: "17 asixn 23, it doesn't matter to me! Although this is hardly indicative of long-lasting happiness for the mismatched pair, it nonetheless affords them a reprieve from their constant misfortunes and the spectre of trauma depicted throughout You Were Never Really Here up to this point.
Well, here's 'asian girlz,' the most racist song in recent memory
The psychological forces uniting Joe and Nina are made clear from their very first meeting. Here's what happens in the music video: The band is trapped in a bird cage while an Asian model strips out of a prim outfit to reveal lingerie and tattoos, while said band sings about things like fried rice and "buttf--king all night. In this vignette, Joe gives a chocolate bar to a young child in the conflict zone, who is promptly gunned down by another child in a dispute over the confectionary.
The possibility of redemption and even of hwre happiness is ambivalently suggested as the film draws to a close.
Nina, in her self-defence killing of Williams, has embarked down the same path. The shot begins tracking from a motel corridor to its lobby, but quickly halts to pan left and bring a police car outside the window into frame.
Joe has a tortured history that is communicated to us via elliptical flashbacks which frequently draw associations between his traumatic past and violent present. Despite the frustrating synaptic paths Joe is forced down, he does seem to have a system for dealing with these painful moments. Joe has a strange modus operandi.
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The connecting factor between these dips into retrospection is their destructive impact on Joe, who is depicted as trying to cope in spite of them, both through his violent line of work and at home with his ageing mother. We are introduced to both characters as they calmly count down from s above thirty Joe starts at forty-three, Nina starts at thirty-two during quiet moments when both characters are alone with their girps.
This is all logical protocol, but his method of execution is with a ball-pein hammer, which is a rather impractical weapon of choice.
The allure of beating his trauma to death with a hammer is evidently too compelling to resist. Instead, girle closes on the comparatively comforting sound of a milkshake being slurped. When Nina is recaptured by paedophile Governor Williams, Joe goes on an odyssey to find her, discovering a trail of fresh corpses along the way that range from his fixer to his own mother.
Despite even his own protestations, Joe cannot stop himself from embarking on yet another journey twinning his mental self-destruction and the physical destruction of others. At least briefly, their traumas appear exorcised and their outlook heree the present and possibly the future is good. Judging by the reactions"Asian Girlz" is either the most racist thing ever or just the most racist thing you'll see all day.
This Alternate Take was published on October 24, While this is happening, every member of the band goes on a date with an Asian girl, nights chronicled in Polaroid snapshots. Post your views. This is a recurring motif that conveys something akin to a psychic connection between the two characters.
He finds Nina downstairs, vacantly eating dinner while her hands are covered in blood; the straight razor she killed her assailant sitting next to her knife and fork like an extra piece of cutlery. The film follows Joe Joaquin Phoenixa PTSD-riddled war veteran turned hitman who specialises in the rescue of young girls, in his redemptive quest to save Nina Votto Ekaterina Samsonovdaughter of an Ohio State Senator, from a lifetime of sexual exploitation. It is through Nina that Joe finds a possible route away from self-destruction, which I will examine in this piece.